SURFACES MEETING 1934 Framed Poster | Wassily Kandinsky Framed Prints Wall Art | Wassily Kandinsky Shop
SURFACES MEETING 1934 Framed Poster | Wassily Kandinsky Framed Prints Wall Art | Wassily Kandinsky Shop
Surfaces Meeting 1934: A Kandinsky Masterpiece of Geometric Abstraction
Wassily Kandinsky's Surfaces Meeting (1934) is a compelling example of his late Bauhaus‑influenced period, where geometric forms and biomorphic shapes converge in dynamic equilibrium. This fine art print captures the tension and harmony of intersecting planes, a trademark of Kandinsky's genius. Now, you can own a museum‑quality reproduction that brings the intellectual rigor and visual delight of this masterpiece into your space.
Our framed poster is crafted with meticulous attention to detail, ensuring that every nuance of Kandinsky's palette from muted earth tones to vibrant accents is faithfully rendered. The 250 gsm matte paper offers a luxurious, non‑reflective surface that enhances the artwork's subtle textures. Encased in a durable pine wood frame and protected by shatterproof plexiglass, this piece arrives ready to hang, complete with a hanging kit. Available in four sizes and four frame finishes (white, wood, dark wood, black), it seamlessly integrates into any interior.
At Wassily Kandinsky Shop, we are dedicated to curating archival‑grade reproductions that honor the artist's legacy. Our prints are produced using FSC‑certified materials, reflecting our commitment to sustainability and quality. Whether you're a seasoned collector or a newcomer to abstract art, this piece offers a sophisticated addition to your collection. Explore our full collection of Kandinsky framed posters to discover more treasures.
Product Specifications
- Ready‑to‑hang: Includes hanging kit for immediate display.
- Frame Material: Durable pine wood, 20‑25mm thick and 10‑14mm wide.
- Paper Weight: 250 gsm (110 lb), thickness 0.29 mm (11.4 mils).
- Paper Finish: Matte, uncoated, natural white (off‑white).
- Protection: Shatterproof plexiglass safeguards the print.
- Sustainable Paper: FSC‑certified or equivalent.
- Sizes: Four options to suit your space.
- Frame Types: White, wood, dark wood, black.
Elevate your environment with this archival masterpiece that speaks to both the intellect and the soul.
You may also like
What is the significance of 'Surfaces Meeting' in Kandinsky's oeuvre?
Created in 1934, it exemplifies Kandinsky's Bauhaus period, blending geometric and organic forms to explore spatial relationships and emotional resonance.
What materials are used in the framed poster?
The poster features 250 gsm matte paper, a durable pine wood frame, and shatterproof plexiglass for protection. It's FSC‑certified for sustainability.
Is the framed poster ready to hang?
Yes, it arrives with a hanging kit, so you can display it immediately without additional hardware.
What sizes are available for this Kandinsky framed print?
We offer four sizes to accommodate different wall spaces. Please refer to the size options on the product page for exact dimensions.
Can I choose a different frame color?
Absolutely. The frame comes in white, wood, dark wood, or black to match your decor.
How is the print protected during shipping?
The poster is shielded by shatterproof plexiglass and securely packaged to prevent damage. In the rare event of damage, we offer free returns.
Is the paper used for the print acid‑free?
Yes, the paper is matte, uncoated, and acid‑free, ensuring longevity and resistance to yellowing.
What does 'museum‑quality' mean for this reproduction?
It signifies high‑resolution printing on archival paper, capturing the original artwork's details and colors with fidelity.
How does this print honor Kandinsky's legacy?
It is produced with FSC‑certified materials and precise color matching, reflecting our commitment to quality and sustainability.
What if the item arrives damaged?
We provide a free return and replacement if the item arrives damaged. Contact our customer service for assistance.
What was happening in Kandinsky's life when he created 'Surfaces Meeting'?
In 1934, Kandinsky was in Paris after the Bauhaus closed, experimenting with biomorphic forms and synthetic materials.
How does 'Surfaces Meeting' reflect Kandinsky's theories on color and form?
The painting embodies his belief that colors and shapes have spiritual and emotional resonance, creating a visual symphony.
Is this artwork part of a series or a standalone piece?
It is a standalone work, though it shares stylistic traits with other pieces from his Paris period.